Edwardian Sheraton-Style Side Chair

Seating (Side Chair) · Edwardian (1901-1910) Sheraton Revival style · Likely a British manufacturer or cabinet maker from the London trade, influenced by the published designs of Thomas Sheraton.

Edwardian Sheraton-Style Side Chair

Type

Seating (Side Chair)

Style Period

Edwardian (1901-1910) Sheraton Revival style

Material

Primary: Mahogany solid and veneers. Secondary: Satinwood/Boxwood for inlays. Upholstery: Silk or synthetic satin weave fabric.

Age Estimate

Circa 1900-1915.

Dimensions

Height: 34-36 inches; Width: 18 inches; Depth: 19 inches. Typical for a slim formal parlor chair.

Origin

Likely United Kingdom (England). Neoclassical revivalism was highly popular in British interior design during the Edwardian era.

Designer/Maker

Likely a British manufacturer or cabinet maker from the London trade, influenced by the published designs of Thomas Sheraton.

Value Estimate

$150 - $400 USD. Value is supported by the inlay work but limited by it being a single chair rather than part of a set.

Description

This elegant Edwardian side chair is a classic example of Sheraton Revival. It features a sophisticated mahogany frame characterized by a rectangular back with a decorative top rail showing neoclassical marquetry. The delicate cabriole legs are accented with stringing, terminating in small pad feet. The bright, contemporary upholstery provides a bold contrast to the traditional woodwork, making it a striking accent piece.

Key Features

Neoclassical urn marquetry on crest rail, boxwood stringing on front cabriole legs, delicate vertical slat back, and mahogany construction.

Color & Finish

Warm medium-brown mahogany stain with a high-luster French polish or shellac finish. Contrasting light yellow-gold satinwood inlay.

Construction Method

Semi-industrial handcrafted assembly. High-quality cabinet making using steam-bent front cabriole legs and machine-assisted joinery common to the early 20th century.

Joinery & Craftsmanship

Features mortise and tenon joinery for the back splat and rails. The delicate stringing (inlay) shows high precision. Cabriole legs are shaped with characteristic sweeping curves.

Wood Grain & Species

Straight-grained mahogany with some ribbon stripe figuring on the stiles. Top rail features a lighter figured wood inlay depicting a neoclassical urn and swags.

Surface Treatment

Decorative stringing (wood inlay), hand-carved urn motif on the crest rail, and boxwood/ebony line inlay on the legs and frame.

Upholstery Details

Recent replacement upholstery featuring a bright pink and orange striped satin fabric. Single-welted trim with medium-density foam or horsehair padding.

Hardware & Fittings

None visible; likely screw-and-glue corner blocking underneath the seat frame.

Origin & Provenance

Likely United Kingdom (England). Neoclassical revivalism was highly popular in British interior design during the Edwardian era.

Condition Notes

Overall Good to Very Good condition. The woodwork shows minor surface scuffs. The upholstery appears new and clean but is not period-appropriate. Structure seems stable.

Interesting Facts

Thomas Sheraton, whom this style is named after, never actually owned a large workshop; he was primarily a designer whose 'The Cabinet-Maker and Upholsterer\'s Drawing-Book' influenced furniture for over a century.

Cultural Significance

Reflects the 'Belle Époque' desire for lighter, more feminine furniture compared to the heavy, dark Victorian pieces that preceded it.

Similar Pieces

Hepplewhite chairs (usually have shield-shaped backs) and Louis XV chairs (typically feature more ornate carving and gilt rather than wood inlay).

Care & Maintenance

Dust with a dry lint-free cloth. Use high-quality carnauba wax annually. Keep away from direct sunlight to prevent the mahogany from fading and the silk upholstery from deteriorating.

Value Estimate

$150 - $400 USD. Value is supported by the inlay work but limited by it being a single chair rather than part of a set.

Sustainability Notes

This is a sustainable vintage piece. Using antique furniture prevents new timber harvesting and keeps high-quality handcrafted items out of landfills.

Identified on 5/17/2026